![]() ![]() Taken as a whole, it's a cohesive listen that doesn't always jump out, but it's certainly got an edge and creative, rambunctious flair to it. The opening lines of 'Pink Houses' set the scene: 'Theres a Black man with a black cat / Living in a black neighborhood / Hes got an interstate runnin through his front yard,' the song goes, via American Songwriter. This is a cool, very solid full-length from Pink Houses. It was released on 23 October 1983 album Uh-Huh on Riva Records. Charred, ripshit playing continues through the rest of the tracks regardless of the grunge level, though, like the charged hooks in "To Be and Need" (a short questioning of how a person can be deemed "illegal"). Pink Houses is a song written and performed by John Cougar Mellencamp. Out of people who lived in different houses, 62 lived in this county. The short, aggressive "Fed Up" and Melvins-ish, sludgier, plodding intro to "Again at the End" shows some versatility, and when Side B kicks off with the less grungy but certainly energetic "New Blood", it's very cool and an interesting change for the band. 63 of Fawn Creek township residents lived in the same house 5 years ago. It became his fourth of ten career US top 10 hits and Rolling Stone magazine ranked. See, the vocals sometimes have that nasally, John Darnielle-like quality, but then comes the more strained, snarling yells and shaggy guitars cutting in, like in "Wildflowers". Pink Houses was the second single released from the 1983 album Uh-Huh. Bed & Board 2-bedroom 1-bath Updated Bungalow. As he fleshed out the lyrics, the song took on a deeper meaning: a look at the demise of the American Dream. 'I thought, 'Wow, is this what life can lead to Watching the fin' cars go by on the interstate,' he said. But higher-pitched, off-kilter yelling and more deliberate, nimbler guitar work in "New Religion", as well as sardonic "oo"s backing, help the band establish more of their own identity and an almost pop-punk undercurrent. The juxtaposition of a man's home being within feet of 70-mph traffic and his apparent acceptance of his fate struck Mellencamp. One of his most successful heartland hits, it. Pink Houses' self-titled, snarling full-length bears a pleasantly noisy, grumbling tilt that fans of the sound should dig.įuzzy, cracking amps and a murky plow on opener "A Shame" should instantly bring Nirvana to mind for plenty. Opening with a dusty jangle and determined strums, John Mellencamp’s Pink Houses evokes mid-West imagery of corn fields and calloused hands. ![]()
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